THE DIARY OF AN EROTIC WRITER

Put the X back in Xmas!


Hey, what would you really like in your stocking? A bold hand running slowly up your leg?
I happen to have just the item for you. Several to choose from, actually. All available in beautiful ebooks from Amazon, the eXtasy Books site, or other major online outlets. 

Mandi. Her desire for success burns too hot with the potency of a secret sex pill. Buy here!

Clytie. Their beauty, grace, and courage are rewarded, but their love is forbidden. Buy here!

The Fair Warrior Chronicles
 
Book One: Minotaur. His dark magic drives women wild. Buy here!

Book Two: Huntress. The virgin huntress stalks her prey. Buy here!

Book Three: Midas. His power over gold draws women. Buy here!

Book Four: Cassandra. The prophetess of passion. Buy here!
 
Book Five: Morpheus. The soldier battles his past.  Buy here!

Book Six: Circe. Her past erupts into her future. Buy here!
 
The Glass Room Adventures

Book One: Night Wild. Running from love Buy here!

 Have a happy, happy Xmas!

Log Line Blog

He can make gold, but can he understand women?

That's the log line for Midas, the third book of my Fair Warrior Chronicles series. The log line is featured this week on the lively Log Line Blog, a great site where readers can comment on log lines.

A log line is a short (twenty-five word max) description intended to create interest in a book at the start. The term "log line" comes from the one-line descriptions of television programs in the viewer guides published in the newspaper.

The Log Line Blog is a great place to get a quick look at a lot of good books. If you are a writer, it's an excellent place to study how to write a good log line.

Hot Night Wild Excerpt


Night Wild, book one of my new series, The Glass Room Adventures, publishes today from eXtasy Books. Here's the log line:

All the love life Laurie Deloit has left is a delicious, forbidden fantasy, until the madam of an exclusive whorehouse offers to make it real.

 And here's a hot excerpt:

 Wally’s finger gets more active inside my cunt. Good. I unbutton his shirt and unbuckle his pants. His body isn’t the flabby sack I expected. I press my boobs into his solid chest, and reach inside his jockey shorts. Damn. Still nothing growing. I say, “I’ll hide your cock.” I keep my hand over his soft worm while he undresses.

In the next room, Wally’s boss has Desiree on her hands and knees. He kneels on pillows to bring his crotch even with her cunt, and shoves he cock in her. She closes her eyes and rocks with his plunges. The cooing shape of her lips makes me think she’s telling him what a horse he is. She looks up at the mirror as if she’s worshipping the reflection of the two of them going at it.

 

Skin on skin


Erotic fiction lives in a world of touches, kisses, and the penetration of bodies and hearts. But any fiction benefits from a change of perspective. A story with no break from up-close sex can feel too strained, like a sweaty fuck when neither partner can come.

I try to shift perspective without thinking too much about it. Here's a passage from an up-close scene I worked on today:

We take the position, side by side on our hands and knees. He's behind us. He rubs my cunt. I squirm and moan. Denise does a more convincing act. He's fingering us both. She shoots me a glance from a half-closed eye. We're in a contest to see who gets the cock. I buck hard against the probing finger and beg, "Please, please."

From the same story, here's a passage with a broader perspective:

The two women from the other table nod at us as they pass by on the way to the powder room. They're pretty and nicely dressed in thin, flowing skirts and blouses and bits of jewelry. Under their cordiality their eyes register me as a threat, as if I might wiggle over and steal their men while they're peeing.

From later in the story, this passage starts with a panoramic perspective, then shifts quickly to the personal:

The helicopter descends toward sparkling Mediterranean waters and hovers over a helipad at the stern of an oceangoing yacht. The big boat and every visible accessory are white, including the aircraft I'm sitting in, the uniform of the pilot, the rubber rafts that circle at a distance, bouncing over light waves, and the guards riding in them. Only their rifles are black.

My left leg is shaking. I guess that's where I put my fear. The shakiness rises through me. Why am I doing this? The brothel, for all its air of wildness, is really pretty secure. People are always watching.

These shifts make a story more like the way we see life. One minute you're watching your navel, the next you're watching your neighbor. But in an erotic story, sex can never be far away.

Story enlargement


No, I'm not talking about a formula to grow a story big enough to make a woman scream. But my subject is similar. Erotic stories are necessarily concerned with intimate encounters—what happens between two people, or three or four, when their clothes are off and their bodies are touching. Yet story lines have a tendency to unfold. Plots reach out and involved more characters.

Over the past week, I've been working to finish the first draft of the third story of my Glass Rooms series. Altogether there will be four episodes of about twenty thousand words apiece. The first, Night Wild publishes December 1. I have once a month publication dates for the next four months. This week I was working from fifty to sixty thousand words deep in the series that will total eighty thousand or so.

The tendency of stories to unfold got out of hand. Whole groups of new characters came on stage, springing from my imagination in the midst of scenes I thought were headed elsewhere. I liked where the story was going, but it kept getting bigger and bigger. Pretty soon, I was the one screaming. (Exaggeration.) By this afternoon, when I finished the draft, my plot line reached literally worldwide. Now I have twenty thousand words left to bring it down to a more personal level and sort out the main character's erotic life in a way a reader might find satisfying. Should be fun.

Four women, one man


This ménage scene from my novel Clytie is one of my favorites:

The water near the spring is hot enough to sting. Semele's look is hotter. Her arms reach for me like hungry creatures. Her body folds into mine. Her knee travels my hip.

I know the feel of a woman who denies her needs. Mistress Dalia will spend months in the big world, ordering people around instead of fucking them. When she comes to the Island, she takes me to bed before the servants finish unloading her luggage.

Semele is too proud to voice her craving. I take her ass and lift her. Eros does me proud. My erection is waiting. I ease her down. Her hand guides my knob to her cunt. She shudders and hugs me tight.

Clytie leaps on my back, chews my ear, and kisses my neck. The two women cling to me. Their bodies twist and strive. I stand still and keep my grip on Semele's writhing ass. Waters hot and cold swirl around my legs.

The tall reeds rustle, part, and reveal the redheaded sisters. Their green eyes devour the scene. They take off their too-short tunics. Underneath they are naked. Freckles cover their legs and arms. Their torsos are creamy white. Their cunts are a darker red than their long hair. They step into the pool.

I tell myself I absolutely will not deflower these two. Consorts-in-training are forbidden sex until the day they are sold. Virginity on the auction block can be the difference between sharing a rich bed or scrubbing a kitchen.

Semele's eyes are shut. She makes no sign of noticing the girls. Clytie wraps her legs around my chest and reaches an arm toward each redhead. Their tender bodies press on either side of me. Their lips explore my shoulders. Clytie gives my neck a sharp nip with her teeth. Semele yields a guttural cry and rams her cunt deeper onto my cock.

Clytie rubs her cunt against my spine. I think she means to bring herself off. The girls find ways to cradle more of their flesh against mine. Semele pulls my head toward her breasts.

I'm accustomed to contorting myself to please women. I train for it. Keeping my balance and finding Semele's dark nipple with my lips is a trick I can manage.

Tentative hands reach between my legs from behind. How the girls find room to grope me with Semele and Clytie wrapped close is more than I can figure. Fingertips explore my balls and the base of my erection.

Semele gives another animal cry. Her body shudders with her coming. Clytie's cry is sharper. Her grip is stronger. Her body is hotter. Yesterday she was a virgin. Today she is an expert at frottage, able to rub herself to orgasm on my spine.

Semele grabs my hair, pulls my mouth from her tit, and shoves her tongue past my teeth. Clytie licks my ear and pinches my nipples. The sisters melt away. When I manage to look, they are gone.

 

Ménage à trois

Two men and one woman, I read recently, is the multi-partner sex pairing that appeals most to female readers of erotic fiction. I can see the point. Does sound like fun, doesn't it? Sloppy seconds and all. Two dicks, no waiting.

But for some reason, the ménage pairings in my stories seldom seem to hit that balance. Usually it's a larger group, or two women on one man. My new Glass Rooms series, the first story of which is scheduled to publish December 1, takes a different angle. Couples are paired mostly one on one, but the fun happens among twenty or so other couples in a warren of glass-walled bedrooms where everyone can see what everyone else is doing. 
Here's the first draft of a variation on this idea, with two women and one man in one glass room, and a female-male couple in the other:

            The men join us in the glass room. To my eye, Ilya looks unsettled by his talk with Charlie. But he's man enough to put business aside when it's time for three naked ladies. Kate and Julia drape arms around him, their manner showing him Julio is forgotten. Charlie hugs my shoulders, but he looks at the Russian women.

            Give the man what he wants. I don't have my face painted, but I'm Raven, world class whore. I reach through the clinging bodies of Kate and Julia, find the strong Russian hand I shook earlier, scratch the palm with my fingernail, and roll my eyes in the direction of the other glass room.

            Ilya shrugs Kate and Julia off his shoulders and sweeps me into his arms. He's as strong as his handshake promised. His arms hold me as if I'm weightless. I'm close enough to his face to see the creases of a man older than fifty. I start kissing them, and keep kissing while he carries me to the other glass room.           

            He drops me on my bed. I lie with my legs spread and my arms above my head, and watch him undress. His chest is broad, solid, pale, and lightly haired. When he looks down to take off his expensive Italian shoes, I glance over to see how Charlie's doing.

            Julia has his pants unbuckled and her hand in his silk boxers. Kate is working on the buttons of his stiff white shirt. They're kissing and rubbing with as much skill as I've seen from any whore. But Charlie has time to return my glance and give me a moment of his smile.

            Ilya pauses in his undressing to watch his women service another man. I wait for his eyes to return their attention to me. When they do, I arch my back, shift my hips, and open my arms.

            Ilya drops his skivvies and climbs on me. His cock is at my cunt right away, finds me wet, and slides on in. It's medium sized but energetic, a pecker that knows what it wants.

            I give it. There's a kind of hotshot who only wants a missionary fuck, but wants it hard and humpy. I throw all my energy into riding with Ilya's strong bounces, and use my legs, arms, and breathless squeals to beg for more.

            His lips find mine and let my tongue get into the act. His eyes close. His hips move harder. His cock hits enough of the right places to make my screeches genuine.

            Next door, Charlie is showing me he knows what to do with two women. He's on his hand and knees, with Kate splayed on her back, with his head in her crotch, while Julia lies between his legs and suck his cock.

            He flips to his back, settles Kate on his cock, and works Julia's tits with his tongue.

            I look up at Ilya's face. His eyes have followed mine to the next room. I wrap my hands in his slick hair and kiss him harder. He responds with a wild spree of humping.

            He doesn't feel like a man who'll be ready to come anytime soon. I'm in for a long, sweaty ride. I more or less put Charlie out of my mind, and give the guy all I've got.       

Night Wild Cover

Here's the cover to my erotic romance Night Wild, scheduled for release December 1 by eXtasy Books:
When a new story is submitted to eXtasy, the editors ask the writer to suggest ideas for the cover, including descriptions of the hero and heroine, a short summary of the story, key symbols or ideas, and a general idea for the cover. This is all the designer has to go on.

Here is what I suggested to cover designer Carmen Waters:

Description of Heroine:

Laurie Deloit is DARK HAIRED, tall, and hot. As Raven, a star whore, her FACE IS MASKED IN PAINTED-ON DARK SWIRLS LIKE FEATHERS, and her dress is black, filmy, very low cut, very low backed, very high slit. 


Short Summary of Story:

Seattle lawyer Laurie Deloit has a chance to live out her fantasy—sex with strangers—when she's offered night work at Seattle Young, an exclusive brothel. She's lived on her fantasy following her abandonment by the man to whom she gave all her love. She throws herself into wild sex in the glass rooms--whorehouse bedrooms with transparent walls.

Key symbols or objects:        

Laurie as she is made up for a night as Raven, star of the brothel—black hair, face painted in  feather-like black swirls, wearing a gauzy low-cut, low-backed, high slit black gown. (I don't know how hard it might be to do the feather-painted face, but it's a really big part of the story.)

Author Ideas - What you would like to see on the cover:

The two sides of Laurie Deliot:  Laurie as a lawyer in the dark business suit, and Laurie as Raven the lady of wild nights with her black-feather-painted face and slinky black gown. The distinctive Seattle skyline with the Space Needle would make a great background.


I put the key physical descriptions in all caps to be sure Carmen didn't overlook them. If my raven haired-beauty turned into a blonde on the cover, it would be my fault for not having made sure that the cover designer was aware of the right coloring.
Carmen used many of my suggestions.  The black hair, black dress, the heavy face makeup, a bit of the Seattle skyline, and even a suggestion of glass walls are all there. In working with cover designers, I bear in mind that the designer has other covers to design and can't spend a month working on mine. I also try to remember that writers express things in words, while designers think in terms of colors and figures.

As always, Carmen's cover is a lot better than the suggestion I had in my mind's eye.  She captures my character's mood of reckless abandon almost uncannily.

I also love the wild long eyelashes. Although the final manuscript has been submitted, I'm going to add those to my character's night wild makeup.

 

A party for the sex starved


That's the header on a review of my story Midas that's been posted on the erotic fiction site Sensual Reads (sensualreads.com).  Here's the rest of the review:

While it may not be solid gold, everything that Evan Wall touches makes money because he sees finances a little bit different than normal people.. He has no clue about women though. When an old flame comes back into his life with her own powers, things really start to get a little strange. Could it all be because a group of college students entered a cave when they were all wild and young?

What a wild ride into the Fair Warrior Chronicles. Even though I had not read any of the other books in this series, I never felt lost as I think the other books in the series deal with the other students who wondered in the cave and got their own strange powers. The sex in this book was all over the place and extremely hot! It was a definite party for the sex starved. I really enjoyed seeing how the different partners all played together and made different pairings. The story was pretty simple, but with all the sex it worked well. I really want to read the other books in the series now to find out more about this hyperactive sex drive they all seemed to have!

Reviewer:  Jacquie

Sensuality Rating:  Sultry

Star Rating:  4 stars

A little tense

Everything I've written for quite a while is in first person present tense—the narrator describing what happens at the time they experience it. I think this manner of storytelling suits erotica. My aim is to make each sentence, each paragraph, an individual sensual moment. The only time I use past tense is in flashbacks.

This morning I wrote the first draft of a flashback I didn't plan. All I meant to do was go back a few pages in the manuscript of Live Wild, the third story in my Glass Room Adventures series, and add a line or two about the heroine removing the diamond ring she'd worn pierced to her labia since her fiancé dumped her. The point of the scene is to show some progress in the mending of her shattered heart. The setting is a yacht on a sparkling sea. Here's what I wrote:

            Every day I went to the gym while Charlie took the first of his afternoon naps. Without ever touching me in a sexual way, the trainer prodded me to new levels of flexibility and endurance.

            This routine had been going on for several weeks when one day after my workout I went to the engine room. The boat's mechanic, a small man who I guessed to be of Southeast Asian descent, dropped a wrench when he saw me. I was sweating enough to make my hair stick to my neck, and dressed in only the running bra, shorts, and shoes.

            I asked, "Can you lend me a tool to cut through metal?"

            He showed me a saw with a short, thin blade. The sharp teeth didn't look like something I wanted between my legs. I said, "It's to cut a ring."

            He opened the drawer of a metal cabinet, didn't find what he wanted, and opened another. Behind him in the small, warm room were two big red hunks of metal. I asked, "Is that the engine?"

            "Engines," he said. "There's two."

            The engines gave off a soft humming noise and a faint gas station smell. I'd lived on the Adventuress for weeks without giving a thought to who and what made it go.

            The man was holding out a tool shaped like a small pair of pliers, with red plastic covering the curved metal handles. He'd been watching me study the engines. He smiled and asked, "Want to know how they work?"

            I said, "Sure." I half listened while he talked about gauges, valves, pumps, pistons, and shafts. He was careful to keep a distance and didn't look at me, but his arms made jerky movements as he pointed out the features of the engine room. I thought, He wants what they all want—me dropping my pants and grabbing my ankles.

            He glanced at me and saw I was done listening. I raised the tool he'd given me, grinned, and said, "I'll bring this back later."

            He said, "Careful. They're sharp."

            Charlie was still napping when I entered the master suite. I went into the bathroom, squeezed the handles of the tool a few times to get a feel for how the pincers moved, and snipped off my labia ring.

            The diamond looked small, on the bathroom tile. I put it behind my toothbrush. Charlie was awake when I came from the shower. We did some business, me naked beside him on the bed with the computer on my lap. When he began to tire, I put aside the computer and guided his hand over my body. He managed a few weak squeezes of my tits and a rub of my cunt before he leaned his head on my shoulder and went to sleep. I tucked him in, dressed for my usual solitary afternoon cocktail hour, and took the tool back to the engine room. The mechanic wasn’t there. I left the tool on his clean workbench. Before I left, I put my hand on one of the engines and felt the throb of the power within.

            Under the awning of the salon deck with the bright sky bending to the watery horizon all around and the sharp white prow of the Adventuress cutting through low rolling waves, I held the broken ring in my palm and remembered the night I accepted it.

            Stephan reserved our favorite table at our favorite restaurant and ordered a bottle from further up the wine list than usual. While we waited on our roast duck for two, he told me in the most tender words why he loved me, how he was captured by my face, my mind, my every movement. Everything was so easy between us, the way we talked while we finished the dinner and shared our crème brûlée, the anticipation he couldn’t keep out of his eyes as he poured the last of the wine. I knew what was coming. My body tightened with excitement. He set the velvet box on the table.

            I said yes. Stephan opened the box and put the diamond ring on my finger.

             After he ran off with my office assistant, I went to a raunchy tattoo shop and paid a shaggy old biker dude to pierce my labia and put the ring in it. When I tried to pay, he waved off the money and said, Thanks hon. Gettin' to do it was pay enough.

            With these memories filling my head, I tossed the ring at the sea. My throw wasn't strong enough. The ring landed on the deck below. I walked down, picked it up, and dropped it overboard.

            Any boat is a small place, even a three-hundred-foot yacht with only two passengers, one of whom is bedridden. Crew and staff were watching. I knew they'd report to Charlie. His eyes held extra kindness when I settled beside him after dinner. We ate separately, because he didn't like me to watch the nurse feed him.

            I turned on the television and started a tape of a glass room session at Seattle Young, our usual evening entertainment. All Charlie asked was, "Nice day?"

            I said, "Perfect."

            After twenty minutes of the video, he was as ready as he was going to get. The nurse came in to undress Charlie and help me tie my wrists to my ankles. She covered us, turned out the lights, and left. The bonds limited my range of motion as much as his physical deterioration limited his. I contorted myself to carefully fuck his decrepit body.

            Curled beside him, drifting to sleep, I thought, Fuck you, Stephan. The words were without their usual heat. I hadn't stopped hating my ex-fiancé, but I stopped living for my hate.

A quick four-way

Here's the end of a scene I wrote this morning. It's from the first draft of Live Wild, the third book in my Glass Room Adventures series:

Denise slides off Charlie and wedges between me and Walter. I give her man to her, and take mine. I rest my head on Charlie's belly and look up at him. His eyes startle me with their kindness. He runs a hand through my hair. I go lower. My mouth finds his cock. Kisses, licks, and down my throat. I wonder, while I begin the task of sucking him back to hardness, if the man inside this old body is too deep for me to understand.

 One thing I like about this passage is its brevity. In 86 words, I describe the bodily interactions of four people, plus one explicit sex act, and a moment of self doubt. The entire scene, two couples entering a bedroom, undressing, exchanging partners, fucking, and exchanging again, takes less than 700 words,
 A writing teacher once told me that people today won't sit still for the kind of lingering descriptions you see in older novels. There's something to this, although I think it's true that many readers will tolerate wordiness if there's a sense that the story is going somewhere. Recently I read Dickens' Domby & Son, and loved every plodding line of it.

Whether the narrative moves slowly or quickly, you need to include enough detail to make the scene convincing. In erotic fiction, the descriptive details are often body parts. And you need action that provokes an emotional reaction. Since the action in erotic fiction generally involves sex, emotional reactions are fairly easy to get to. The passage above ends with a sequence of an exchanged look, a blow job, and a blooming uncertainty.

Wild Nights


Wild Nights
The Glass Rooms Adventures, my forthcoming new series, has the theme of exploring the wildness within us and how far we'll go to answer its call. My heroine leads a double life, lawyer by day and whore by night. (And please don't ask What's the difference between the two?)

I wanted to title the first book Wild Nights. A check of Amazon and Google showed me there are already a bunch of books with that title, and also reminded me that Wild Nights is the title given to the most erotic poem by my favorite poet, Emily Dickinson.   Here is Emily's masterpiece:

Wild nights! Wild nights!
Were I with thee,
Wild nights should be
Our luxury!

Futile the winds
To a heart in port,
Done with the compass,
Done with the chart.
Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in thee!


I'm cheeky, but I couldn't bring myself to borrow a title from such excellence. So I tried flipping the words, and found nothing on Amazon or Google titled Night Wild. That's the title I'll use.

Running Wild

Yesterday, I sent the eXtasy Books editors the manuscript for Night Wild, the first of my four-book series, the Glass Room Adventures. Okay, okay, I know you’re clamoring for a preview. Here's a snippet:

            Stripping in front of a stranger is always the first act of my fantasy. The thought of doing it makes my body tingle. I stand. My chair rolls away behind me, across the bare wood floor, and bumps the sill beneath my narrow window. I walk around the desk. I say, "I'll lock the door."

            Madam Renee says, "Fuck the door." Her eyes challenge me.

           On my website, The Erotic World of Valerie Herme, there are snippet pages with a few quotes from each of my published erotic stories, along with free first chapters. But not one for Night Wild, until it publishes on December 1.

Reading eXtasy

eXtasy Books has grown a lot since I signed on with them a year and a half ago. They have a stable of entertaining and talented authors, who I feel lucky to be associated with.  The eXtasy publisher and editors give us a lot of help (and a bit of scolding). We get frequent tips from them about what we might do, should do, or are failing to do, to promote our work. The editors go through every word of every story I send them, and make many valuable suggestions and encouraging comments.  Although they are now publishing twice as many books a month as when I sent them my first one, the quality hasn't suffered.

eXtasy's success is reflected in their web site. They have the most attractive way of presenting new and recent releases that I've seen on any bookseller's site.  They also keep a constantly updated list of what books are selling best.  I don't check it often.  When I do, my response is usually Drat, or something stronger, because my titles aren't on the in-house bestseller list.  I have a lot of tough competition.  So this week I was very pleasantly surprised to see two of my titles make the list.  Circe, released this week, was on for a while.  The Huntress, one of my Fair Warrior Chronicles stories, has been hanging around on the list today. Yea for me, and thank you, eXtasy, for giving me such a great publishing home.

 

Circe hot exerpt

Out today!

The call her Circe, because she can wrap people in a spell of happiness, but Mandi lives in fear. She has yet to discover the startling power within her.


My last post promised you a hot excerpt.  Here it is:

I pluck the studs from his pleated shirt and rub my belly over his rug of a torso. My cunt is his sea to dive in. I surrender a gasp. My knees rise. I hug his stiffly shirted shoulders with one arm, and stretch to reach below his shirttails with the other. My fingertips brush his ass.


My other hand clenches his shirt studs, which are diamond and too pricy to risk losing in a cab seat. Their hard corners gouge me like the thorns of my hidden anger. The bear man responds by working his hips more tenderly and pressing his lips to my neck.

The city becomes the odors left on the cab seat by the trousers of a thousand strangers. The sky bequeaths me the rivulets of rain making their jagged way down the cab’s windows. The plinking of tin drums on the driver’s radio makes a Caribbean counterpoint to Devon’s steady rhythm. He lifts, carries, and floods me. He drives to his, letting go.

Circe is available today at this link and will be available at Amazon and other major ebook retailers within a day or two,
 

Low burn excerpt




Circe, the sixth and final book of my Fair Warrior Chronicles series, is scheduled to publish tomorrow. The book is erotic from start to finish. Some passages are hot-hot-hot. Others are a low burn. Tomorrow I'll celebrate the publishing by posting the cover and a hot passage. Here, for a preview, is one of the low burns:

 Tonight, as always, the pub is shoulder to shoulder. The late crowd is building energy. I nab the silk hanky from Devon’s jacket pocket, dab my eyes, and open the cab door. From inside the pub, men stare as my foot extends over the water streaming curbside and my skirt rides up my legs.

The men redirect their gazes when Devon joins me. He’s not a man whose woman you admire too openly.

He pats my ass. I say, “Once again, darling.” He obliges with another pat. My appetite to drag him to bed and thrash his body rekindles, as does my appetite for food. The kitchens of our pubs are a match for Gage’s Arms. On the way to our loft we’ll order something cheesy, toasty, and meaty from the kitchen, and bottles of Devon’s special reserve ale.

 

A new love

My story Circe comes out this week. I loved writing this story.  My editor at eXtasy Books said nice things about it.  The story wraps up my Fair Warrior Chronicles series in an interesting way.  The cover designer did a fine job on the cover.  I' m proud to have written this book and thrilled to see it published.

The thing is, other than pouring a glass of wine and raising a toast to Circe as she leaps into the cyberworld of ebooks, and hoping that you, the reader, find her to be as fascinating as I did, I've moved on. Circe, you're great, but Laurie Deloit has captured my attention. Laurie is the tortured, driven,beautiful, smart,and pissed-at-the-world heroine of The Glass Rooms Adventures, my next erotic story series. I'm so deeply involved with her that it's hard to remember sweet Circe.

Writers should think of themselves as an endless cornucopia  of stories. This isn't a rule I made up—I heard it from an excellent writing teacher who possessed a string of notable popular and critical writing successes. It's a very liberating way of looking at writing, and at life. Don't pin everything on one novel. Write it, do your best to give it a decent start in life, and go on to the next. Remain constant to your true love—writing.

Between fucks


One of my favorite pieces of writing advice is that a reader should be able to open a book at any page and be able to get a pretty good idea of what the story is about. Maybe you can see how I try to do this in the following passage, which is part of a first-draft scene I wrote this morning.

            I'm white down to my nails. Painted white feathers surround my lips and eyes. Real ones hang from the choker around my neck. The gown the maid brought me isn't one I picked out and charged to my new client's credit card in an Athens shop. It's a replica of the costume I wear for the Mercedes Lounge, only white. 

            The slits run higher, inches above my hip bone. The neckline dips far below my navel. The back doesn't start to exist until halfway down my ass. How the slinky material manages to hang on me is a mystery. I feel as if the slightest shrug could send it slithering around my feet. Every sway of my movements reveals parts of me that my underwear would cover if I had any on.

            I emerge from my cabin in a cloud of fresh perfume. Phil is leaning on the deck rail outside my door, face pensive, arms crossed, head shaded by the stripped awning, back warmed by the sun.

            He says, "He's ready."

            I say, "So am I."

            I'd figured on going no further than the master suite next to mine, but Phil leads me down a companionway. He doesn't offer his hand. This is tricky. In my white heels, taller than the ones I wear at Seattle Young, I can barely manage the steps. The maid follows behind me and catches the shoulder straps of my dress whenever they try to fall off my shoulders.

            We pass the crewman who carried my bags to my suite and one of his buddies. The look in their eyes tells me I'm a sight they'll never forget.

            Phil opens the door to a cabin on the deck below, stands aside, and says, "Good luck." His smile bends under the strain of whatever he's feeling. The maid stops beside him. I enter alone. The door closes behind me.

            I have three more steps to negotiate, curving glass ones with a brass rail like the ones at Seattle Young. They tell me I'm on display. I keep my eyes straight ahead, my shoulders back, and my smile wide. My feet find the steps. My hand wants to grab the rail. I make it slide lightly over the brass.

            Piano music comes from hidden speakers, the same show tunes Toussaint plays at the Mercedes Lounge. There's a real piano, a white one. No one sits at it, but the keys move as if unseen hands play. The short backlit bar beside it has rows of glass shelves arrayed with bottles and glasses. In the center of the tiny dance floor, a barstool waits for me. It's about the same height as the fender of the car where I sit at the beginning of a shift in my whorehouse. The top if it is slick-looking red leather. My gaze falls on it with relief. It's the first thing I've seen on this boat that isn't white.

            I take my place on the stool. The rungs where my feet find a hold are high enough to lift my knees and make my dress fall away from my legs. I lift my chin, shove out my boobs, and wait. The piano keeps playing. I wonder how long I can hold this pose without falling off the stool or getting a cramp.

            A curtain of white beads covers the entry to a short arched passageway. The space beyond is brightly lit. I know what's back there. A glass room. Just for me.

            "You are so lovely." The voice is weak and hoarse. I turn toward it. The movement makes a strap fall from my shoulder and exposes my lfft boob. There's not a man standing where I expect to see one. I look down. He's in a wheelchair.

            The smile he gives me looks as if it's all he can do. His withered neck leans to the side, leaving his head propped against a metal brace. One of his hands rests on the controls of the chair. He motors closer to me. His other hand trembles a he touches my leg. Many men's hands have done the same. This one seems to shake more from palsy than excitement.

            I catch it in my own, and guide it as far up my thigh as his arm will reach.

            He says, "Very nice." He sounds like a connoisseur appreciating a painting. But I'm real.